Ba Gua Zhang translates as eight shapes of the palm. The eight
shapes refer specifically to the eight hexagram symbols called Gua comprising
the foundation of the three thousand-year-old Yijing or Book of Changes.
Zhang means palm and in this instance is used to describe the ever changing
shapes of the hands, arms and body. These flow through a series of
eight basic postures which are representative of the eight Mother diagrams
of the Yijing. The Yijing may be the oldest
book in the world dating back before 3000 B C. The word Yi means continuous
change. In Chinese the origins of the ancient calligraphy of Yi was:
Two characters, sun over the moon, symbolized the change of day to night
and back again. This is one of the earliest known references to the
concept of the Yin and Yang principle. Some scholars claimed the
lower character of Yi depicts a flag waving in a breeze under the sun as
it travels across the sky. Both ideas represent the concept of continuous
change.
A Philosophical System or Psychology
Yijing expert Knigh Dheigh has called the Yi a system of philosophical
psychology and psychological philosophy. In its present form the
Yijing consists of a large body of writings from a number of Chinese sages
spanning over three thousand years. The Yijing
is an index or almanac of nature’s laws as they apply to the planets, stars
and the affairs of all humans, plants and animals in the world.
Other Ba Gua Zhang forms
There are some historical indications that Dong Hai Chuan may not have
been the only Ba Gua Zhang teacher in China. Historical documents
indicate that there were numerous although little known variations of Daoist
boxing and Dao Yin (Qi Gong) arts based upon the Yijing that predated Dong’s
Ba Gua Zhang. Daoist monks and scholars populating regions throughout
China often created their old styles of eight-shape boxing which were seldom
taught publicly.
A version of the single palm change, one of the most basic concepts
of Ba Gua Zhang, has been practiced as a Qi energy exercise in a particular
Daoist Temple for over one thousand years. Monks at Emei
Mountain, where Daoist and Buddhist influences intermingled, also created
Ba Gua Zhang forms and exercises. A Ba Gua Zhang research facility
in mainland China has recorded over one hundred separate styles of Ba Gua
Zhang in existence today and reports that many others have been lost or
have died with their creators.
The Nine Dragon System
One family style of Ba Gua Zhang was said to have been conceived by
Daoist sage Li Ching yuen. Li, a Chinese scholar
who died in the early 1930's lived, according to an article in the New
York Times, to be 260 years old. Li always told people that his remarkable
strength and health were due to a special diet and the daily practice of
an internal Qigong and martial arts style he devised which later came to
be named Jiulong Ba Gua Zhang (the nine dragon eight diagram palm method.)
He claimed to have learned the basis of it from a Daoist monk in the Emei
mountains of China. This ancient sage reportedly instructed Li Ching
yuen in his own personal style of Ba Gua Zhang based upon the wisdom of
the Book of Changes. Mr. Lee claimed that this system of Ba Gua Zhang opened
the doorway to internal energy by establishing a relationship of physical
postures to mental attitudes which in turn created immense Qi energy for
health and self-defense. Although there are many external similarities,
Li's Daoist 9 dragon Ba Gua Zhang differs from Dong's version in a number
of ways.
Form without form
Li Ching yuen Nine Dragon Ba Gua Zhang method
in the final stages has no forms in the traditional sense. The core
of his art consists of a Wholistic internal and external training compromising
meditation, Qigong, basic linear forms, and circle walking holding eight
postures.
A study of the meaning and images of each
of the eight basic Gua of the Yijing as they relate to attitude, action,
tactics and use of each of the basic formations guide the training. Eight
Mother palm shapes refer to whole body positions incorporating all
of the body's energies. The shapes become entire attitudes, permitting
the entire psychological and physiological makeup of the student.
Each of the eight postures is studied in the
context of the shapes they form while walking the circle and changing directions.
The student also studies the changing of a single posture from one palm
to another and the positive (yang) and negative (yin) aspects of each palm.
He studies the eight methods of generating Fajing, kinetic power, and the
eight methods of Tian Jin, listening power. Listening power is the
ability to feel external force and react to its with any part of the body.
It is used to interpret the intentions of an opponent by listening to his
pre-movement through touch
There are also defensive tactics, which comprise the six
methods of entering into the opponent’s center of power by the six bridges.
Use of special principles of energy and power from the wedge and ball principles
to create dynamic Jin (mind/body biomechanical energy).
In the more advanced stage, palm postures
are combined one with the other, for example, using the right hand in heaven
palm while the left-hand forms the wind palm. When a student comes
to fully understands the numerous variations of a single shape (posture-
stance- action) mentally and physically, how it can be used to generate
Qi and how it connects with the stances to generate power or Jin, he is
said to have achieved Yizhang De (the virtue of one palm). He has passed
through one of the Ba Long Men, eight dragon doors. After each of
the shapes and forms of the eight Mother forms are absorbed has Ba Gua
zhang De(eight shapes off palm virtue).
At this level, movement begins to spontaneously
generate forms. As a student comes to know these forms intuitively,
they begin to exist or a subconscious level, coming and going as naturally
as any other habitual activity. He has passed through the ninth dragon
door. He is now a nine-dragon Ba Gua Zhang boxer.
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